Some stories are meant to be visualized, not explained.

Taking Andy Greenberg’s “God of DMT”, published by WIRED Magazine as a starting point, this project transforms a narrative about a greedy man’s god complex and his psychedelic-induced superiority, cryptocurrencies in the black market, and legal repercussions — turning it into a graphic visual metaphor which is composed of elements such as conceptual form, color expression, editorial thinking, and motion graphics.

It’s an attempt to show what exists between ego, consciousness, and legality.